During a speech class I took in college, we were told that the first rule of
public speaking is to have proper
credentials to speak. A
credential is an attestation of qualification, competence, or authority issued to an individual by a third party with a relevant or de facto authority or assumed competence to do so. There are so many
fallacies in this idea.
De facto is a Latin expression that means
"in practice or actuality, but not necessarily officially established". For example, we might say, the
de facto leaders shaping United States policies are not elected officials but corporate interests and lobbies.
What makes an authority an authority? In the simplest terms,
authority is "power" with a claim of legitimacy. Therefore, a
de facto authority can grant
credentials to pretty much anyone that it deems to be qualified. Or, remove credentials. Hmmm!
If all of this sounds somewhat fishy, that is because it is. The
Confucian concept of
meritocracy, the idea of "choosing the most qualified person for the job" is assumed to overcome the inherent problems of this dilemma. But it does not; Especially when merits and qualifications are defined by
de facto authorities with specific interests. Do you think that many of the so called journalists that appear on television really have
journalistic credentials? In a
meritocracy, many individuals are motivated by documented credentials, Ph.D.'s, professional titles. With
degrees and
titles, "the most qualified" becomes a quantifiable choice. Unfortunately,
degrees and
titles are often poor indicators of future success, especially in fields where
moral courage is essential.
There are no simple solutions to the problems of
the abuse of meritocracy and
meritocracy itself. When we recognize achievement, we are looking at the past. Yes, we need to have certain essential skills to be qualified for what we are allowed to do, but, so called credentials do not sufficiently guarantee performance...
And the saxophone man plays his saxophone. He does not care about his credentials, or that he has no audience. What matters in how the notes bend.